November 30, 2024

Regulation by Software

The always interesting James Grimmelmann has a new paper, Regulation by Software (.pdf), on how software relates to law. He starts by dissecting Lessig’s “code is law” argument. Lessig argues that code is a form of “architecture” – part of the environment in which we live. And we know that the shape of our living environment regulates behavior, in the sense that we would behave differently if our environment were different.

Orin Kerr at Volokh wrote about Grimmelmann’s paper, leading to a vigorous discussion. Commenters, including Dan Simon, argued that if all designed objects regulate, then the observation that software regulates in the same way isn’t very useful. If toothpicks regulate, and squeaky tennis shoes regulate, what makes software so special?

Which brings us to the point of Grimmelmann’s paper. He argues that software is very different from ordinary physical objects, so that software-based regulation is not the same animal as object-based regulation. It’s best, he says, to think of software as a different medium of regulation.

Software-based regulation has four characteristics, according to Grimmelmann. It is extremely formal and rule-bound. It can impose rules without disclosing what the rules are. Its rules are always applied and cannot be ignored by mutual agreement. It is fragile since software tends to be insecure and buggy.

Regulation by software will work best, Grimmelmann argues, where these four characteristics are consistent with the regulator’s goals. He looks at two case studies, and finds that software is ill-suited for controlling access to copyrighted works, but software does work well for managing online marketplaces. Both findings are consistent with reality.

This is a useful contribution to the discussion, and it couldn’t have come at a better time for Freedom to Tinker book club members.

Another reason for reforming the DMCA

I’ll be signing off my guest-blog stint at Freedom to Tinker now. (Thanks for your hospitality, Prof. Felten.)

Before I go, I wanted to point you to a chapter excerpt from “Darknet” I just posted here It tells the story of how the vice president of Intel Corp. violated the Digital Millennium Copyright Act (DMCA) without realizing it — by making a home movie of his son playing Pop Warner football and incorporating snippets of a Hollywood DVD.

As the VP, Donald S. Whiteside, told a Congressional delegation:

“This is precisely the kind of exciting consumer creativity that should be enabled. I don’t claim to have all the answers. Should I have to go clear rights to use ten seconds from Rudy in my son’s video, or does it fall under fair use? Should I have to pay pennies for every second of a snippet? I don’t know. But I do know that we have to figure out a way for consumers to do something creative without breaking the law.

“To me, this episode was a great way to frame the question: Should copyright law permit this or not? Should the DMCA criminalize this sort of thing? Or should the creative community, high-tech community, and lawmakers get together to try to stimulate this kind of innovative behavior?”

Well put.

— J.D. Lasica

Grokster fever

From Monday’s New York Times: The Court of Online Opinion Has Its Say on File Sharing. This is the third piece in the Times this weekend about the Supreme Court’s soon-coming Grokster decision. The article quotes Prof. Felten briefly:

Mr. Snyder’s instructor at Princeton, Prof. Edward W. Felten, a frequently read blogger, was less enthusiastic. At his Web log, freedom-to-tinker.com, Professor Felton predicted that the court would leave the whole issue muddy.

“The Supreme Court’s Grokster decision won’t provide us with a broad, clear rule for evaluating future innovations, so the ball will be back in Congress’s court.”

It’s certainly hard to read the High Court’s tea leaves, but I’d be very surprised if the entertainment industries won a clear-cut victory here (although one should never underestimate the technological cluelessness of the justices).

In the end, a remand to the lower courts – or a muddy decision of cross-current opinions – wouldn’t be so bad, would it? I argue in “Darknet” that while we’re likely to see setbacks at the federal and state level in the next five to 10 years – Congress will surely become a battleground once this ruling comes down – the contours of our digital future will really be decided by society. And that will take a very long time, as today’s young people begin interacting with media in very different (and less deferential) ways than their parents did.

Time is on our side. So, I’m rooting for the law to stay out of the way.

How to license graffiti

A member of Ourmedia.org this morning raised an interesting question that has both legal and ethical dimensions: How should photos of graffiti be licensed, if at all?

Among the points he raises is that under U.S. law (as well as other jurisdictions), you can’t profit from an illegal activity like graffiti, so the graffiti artist can’t pursue a claim of infringement, and yet copyright apparently still attaches to the creative work, although that’s less clear if the work is the product of several individuals over time.

At any rate, it’s an interesting question (especially for IP law students), and we’ll like see a good number of such works of Remix Culture (in the form of photos and videos) displayed on sites like Ourmedia or Google Video in the months ahead. I suggested that a Creative Commons attribution share-alike noncommercial license was the most appropriate license when capturing an image of such graffiti art. Thoughts?

Book Club Discussion: Code, Chapter 2

This week in Book Club, we read Chapter 2 of Lessig’s Code, and Other Laws of Cyberspace. Rather than kick off the discussion with an essay, I’ll just open the floor for discussion. (To say something, add a comment below.) I’ll chime in with my opinions as the discussion develops.

For next Friday, we’ll read Chapters 3 and 4.