November 28, 2024

MPAA Sues BitTorrent Trackers

The MPAA has announced lawsuits against the operators of P2P index servers, such as BitTorrent trackers, according to a Wired News story by Xeni Jardin.

A BitTorrent tracker keeps track of who is downloading and/or uploading a particular file, and makes this information available to others who want to find the file. The suits will presumably allege that the person running the tracker knew that the people downloading the file were infringing, and knew that the tracker was facilitating those illegal downloads, and yet the person ran the tracker anyway.

Previously, copyright owners had considered suing the operators of Kazaa supernodes, which also provide index information. As I wrote previously, suing supernode operators would have been a bad idea, because ordinary user machines silently volunteer to be supernodes, often without their owner’s knowledge. It’s one thing to sue somebody for setting up an index for a given file; it’s another thing entirely to sue somebody who didn’t even know that his machine was providing index information.

The good news is that we seem to be avoiding the worst-case scenario, which is a blanket lawsuit trying to shut down BitTorrent entirely. Such a suit would be unwarranted, as there is nothing about BitTorrent’s design that seems aimed to facilitate infringement. BitTorrent is designed to allow efficient distribution of large files. If that by itself were enough to get somebody sued, then things would be pretty bad.

Of course, it’s hard to see how one could sue BitTorrent. How do you sue a communications protocol? You can sue the person who designed the protocol, but the protocol itself can’t be undesigned. Nor can the technical community unlearn the lessons it has learned.

Should the U.S. Allow Region Coding?

On Friday I wrote about DVD region coding, which allows the manufacture of DVDs that (in theory) can only be played in certain regions of the world. U.S. public policy, in the form of the Digital Millennium Copyright Act (DMCA), plays an important role in shoring up the region coding mechanism. Is this good public policy? Should the U.S. want DVDs to be region coded?

Let’s look at the economic effects of region coding. These days, the main effect is to allow the studios to price discriminate by selling the same DVD at a different price in the U.S. than overseas. Generally, we can expect the U.S. price to be higher – let’s assume the price is Pu in the U.S. and Po overseas. If it weren’t for region coding, this differential pricing would be hard to sustain, because people could buy DVDs cheaply overseas and resell them in the U.S. Region coding prevents this kind of reimportation.

(Similar issues arise in the debate over drug reimportation, where we also see U.S. producers wanting to price discriminate, and reimportation posing a threat to that price discrimination strategy. The drug reimportation issue is more difficult – there, policy decisions take on a moral dimension, because drug pricing is literally a life and death issue for some patients.)

If region coding were abolished, then the U.S. price and the overseas price for a DVD would equalize, at a level below the current U.S. price and above the current overseas price. The studios could no longer price discriminate, and so would be worse off. U.S. consumers would be better off – they would spend fewer total dollars on DVDs, and would get more DVDs for those dollars. Overseas customers would see a price increase, and so would be worse off. Total welfare would decline, with the gains of U.S. consumers outweighed by the losses of U.S. studios and overseas consumers.

But we shouldn’t expect U.S. policy to care much about the welfare of overseas consumers. And if we focus only on the impact on U.S. people and companies, then region coding doesn’t look nearly as good – it looks like a deliberate policy of boosting DVD prices in the U.S. Indeed, region coding acts just a like a tariff of Pu-Po dollars on each reimported DVD. If we didn’t have region coding, would Congress enact such a tariff? I doubt it.

(Note: My analysis above assumes that all movie studios are located in the U.S., so that the U.S. economy captures all of the producer-side benefits of price discrimination. If overseas studios use region coding to boost their prices in the U.S., this hurts U.S. consumers while providing no countervailing U.S. benefit, so region coding looks even worse.)

(Another note: Some readers may object that the U.S. shouldn’t be so selfish as to ignore the welfare of people outside its borders. Point taken. But surely you would agree that, whatever level of U.S. aid to the world community is appropriate, that aid should be used to attack a problem more pressing than the high price of DVDs.)

Inside the DVD Procedural Specifications

As I noted yesterday, part of the license that DVD makers have to sign is <a href="As I noted yesterday, part of the license that DVD makers have to sign is available on the DVD Copy Control Association (DVD-CCA) website. It’s 48 pages of dense technolegalese, consisting mostly of a list of things that DVD players aren’t allowed to do. On reading it, three things jumped out at me.

First, DVD region coding, the mechanism designed to stop DVDs bought in one part of the world from being played in another part, is the subject of much more regulatory effort than I expected. For example, there are special robustness requirements for region coding. (In the weird Orwellian language of DRM vendors, “robustness” is a code word denoting the use of deliberately complex, nonmodular designs so as to resist diagnosis, analysis, and repair.)

Second, it seems to be impossible to build a software DVD player that complies with the requirements. According to section 6.2.4.2 (page A-20),

Specificially, [software] implementations shall include all of the [required anti-reverse-engineering characteristics] which shall be implemented in a way that it is reasonably certain they: cannot be defeated or circumvented using widely accessible tools such as but not limited to debuggers, decompilers, and similar Software development products; and can only with difficulty be defeated or circumvented using professional computer engineering equipment such as … logic analyzers …

To comply with this, one would somehow have to write a piece of software whose data and algorithms absolutely cannot be determined by a person using a debugger or decompiler. We can be “reasonably certain” that any program written today can be understood using these tools. (It seems reasonable to read “cannot” as requiring absolute impenetrability, given that the next clause says “only with difficulty”.)

Third, the document bans DVD players from taking a movie that is encoded on a DVD at one level of resolution and outputting that movie on an analog output at a higher level of resolution. (Section 6.2.1.1 (2), page A-11) This ban holds even if the DVD publisher wants to allow a higher-resolution output. I couldn’t figure out what the purpose of this restriction might be. Maybe the document’s authors just got carried away after writing pages and pages of text limiting the functionality of DVD players.

DVD-CCA Sues to Suppress Kaleidescape Product

DVD-CCA, the outfit that licenses the lame DVD anti-copying technology, has sued Kaleidescape, a maker of home video servers, according a news.com story by John Borland:

[DVD-CCA is suing Kaleidescape.] The company, which has won several recent consumer electronics awards, said it has worked closely with the DVD CCA for more than a year, and will fight the suit, filed Tuesday.

Kaleidescape creates expensive consumer electronics networks that upload the full contents of as many as 500 DVDs to a home server, and allow the owner to browse through the movies without later using the DVDs themselves. That’s exactly what the copy-protection technology on DVDs, called Content Scramble System (CSS) was meant to prevent, the Hollywood-backed group said.

“The express intent and purpose of the contract and CSS are to prevent copying of copyrighted materials such as DVD motion pictures,” Bill Coats, a DVD CCA attorney, said in a statement. “While Kaleidescape obtained a license to use CSS, the company has built a system to do precisely what the license and CSS are designed to prevent–the wholesale copying of protected DVDs.”

From the DVD-CCA rhetoric, you might think this suit is about copyright infringement. Reading the article and DVD-CCA statements carefully, though, it seems as if it’s just a contract dispute about whether Kaleidescape violated the terms of its license agreement with DVD-CCA.

(I haven’t seen DVD-CCA’s complaint yet, so I can’t be absolutely sure that there are no copyright claims. But if it were a copyright case, one would have expected the plaintiffs to include some major copyright owners, such as movie studios.)

The subtext here is that DVD-CCA is trying to maintain its control over all technology related to DVDs. In the good old days, copyright law gave copyright owners the right to sue infringers but gave no right to stop noninfringing uses just because the copyright owner didn’t like them. These days, copyright interests seem to want broad control over technology design.

It’s far to early to tell whether this lawsuit will involve big policy issues, or whether it will be confined to narrow issues of contract interpretation. Regardless, its a good bet we’ll learn more about how the DVD-CCA operates.

By the way, the DVD-CCA’s “Procedural Specifications” are freely available for download by anybody who provides their name and contact information. (Amusingly, the Procedural Specifications document itself says, falsely, that “[t]he Procedural Specifications are provided only to CSS Licensees, prospective CSS Licensees, and others with a business need to know consistent with the intent and purposes of the CSS licensing process.”)

Few Sci/Tech Books in OCLC Top 1000

Recently OCLC, a large library consortium, compiled a list of the top 1000 books, measured by the number of copies held by member libraries. In light of the earlier discussion here about must-read books on science and technology, I decided to see which sci/tech books made the OCLC top 1000.

As with the previous college presidents’ list, the results are disappointing. Here are the science/technology books in the OCLC top 1000, leaving out periodicals, general encyclopedias, and medical reference books:

Rank Author Title
115 Darwin Origin of Species
406 Levine Internet for Dummies
422 Darwin Voyage of the Beagle
445 Hawking Brief History of Time
575 Newton Principia
777 Mueller Upgrading and Repairing PCs
966 Krol Whole Internet Guide

Origin of Species is a reasonable pick for the top of the science list, but it ranks surprisingly low, behind three cartoon books. (Garfield ranks 18th, tops among books by living authors. The other two are Doonesbury and Peanuts.) The ideas from Newton’s Principia pervade modern physics, but the book itself is mainly of historical interest. Voyage of the Beagle and Brief History of Time are worthy enough.

It’s the technology books that really disappoint. These books are useful, to be sure, and it’s not surprising that libraries have them. What’s really sad is that no book about the intellectual content or impact of engineering or computer technology made the list.

This stuff is important! Are we as technologists failing to write engaging books about it? Are librarians or the public failing to recognize the value of the books that are written? Probably all of these things are true.