October 30, 2024

Ed Talks in SANE

Today, I gave a keynote at the SANE (System Administration and Network Engineering) conference, in Delft, the Netherlands. SANE has an interesting group of attendees, mostly high-end system and network jockeys, and people who like to hang around with them.

At the request of some attendees, I am providing a PDF of my slides, with a few images redacted to placate the copyright gods.

The talk was a quick overview of what I used to think of as the copyfight, but I now think of as the technologyfight. The first part of the talk set the stage, using two technologies as illustrations: the VCR, and Sony-BMG’s recent copy-protected CDs. I then switched gears and talked about the political/regulatory side of the techfight.

In the last part of the talk, I analogized the techfight to the Cold War. I did this with some trepidation, as I didn’t want to imply that the techfight is just like the Cold War or that it is as important as the Cold War was. But I think that the Cold War analogy is useful in thinking about the techfight.

The analogy works best in suggesting a strategy for those on the openness/technology/innovation/end-to-end side of the techfight. In the talk, I used the Cold War analogy to suggest a three-part strategy.

Part 1 is to contain. The West did not seek to win the Cold War by military action; instead it tried to contain the other side militarily so as to win in other ways. Similarly, the good guys in the techfight will not win with lawyers; but lawyers must be used when necessary to contain the other side. Kennan’s definition of containment is apt: “a long-term, patient but firm and vigilant containment of [the opponent’s] expansive tendencies”.

Part 2 is to explain. This means trying to influence public opinion by explaining the benefits of an open and free environment (in the Cold War, an open and free society) and by rebutting the other side’s arguments in favor of a more constraining, centrally planned system.

Part 3 is to create. Ultimately the West won the Cold War because people could see that ordinary citizens in the West had better, more creative, more satisfying lives. Similarly, the best strategy in the techfight is simply to show what technology can do – how it can improve the lives of ordinary citizens. This will be the decisive factor.

In the break afterward, somebody referred to a P.J. O’Rourke quote to the effect that the West won the Cold War because it, unlike its opponents, could provide its citizens with comfortable shoes. (If you’re the one who told me this, please remind me of your name.) No doubt O’Rourke was exaggerating for comic effect, but he did capture something important about the benefits of a free society and, by analogy, of a free and open technology ecosystem.

Another American approached me afterward and said that by talking about the Cold War as having been won by one side and lost by the other, I was portraying myself, to the largely European audience, as the stereotypical conservative American. I tried to avoid giving this impression (so as not to distract from my message), calling the good side of the Cold War “the West” and emphasizing the cultural rather than military aspects of the Cold War. I had worried a little about how people would react to my use of the Cold War analogy, but ultimately I decided that the analogy was just too useful to pass up. I think it worked.

All in all, it was great fun to meet the SANE folks and see Delft. Now back to real life.

Happy Endings

Cameron Wilson at the USACM Policy Blog writes about a Cato Institute event about copyright policy, which was held Wednesday. The panel on the DMCA was especially interesting. (audio download; audio stream; video stream)

Tim Lee, author of the recent Cato paper on the ill effects of the DMCA, spoke first.

The second speaker was Solveig Singleton of PFF, who offered some amazing arguments. Here is her response to the well-documented list of DMCA misuses:

Even if you set aside some of the errors in the Cato paper, you’re left with a set of examples, many of which have happy endings, without any change to the law. Ed Felten’s case, for example. There are other cases. There were lawsuits that were threatened but not brought. Lawsuits that were brought but ultimately failed. Lawsuits that succeeded but on grounds other than the DMCA.

(This is my transcription from the audio stream.)

To call the case of my colleagues and me a “happy ending” takes some real chutzpah. Let’s catalog the happy consequences of our case. One person lost his job, and another nearly did. Countless hours of pro bono lawyer time were consumed. Anonymous donors gave up large amounts of money to support our defense. I lost at least months of my professional life, and other colleagues did too. And after all this, the ending was that we were able to publish our work – something which, before the DMCA, we would have been able to do with no trouble at all.

In the end, yes, we were happy – in the same way one is happy to recover from food poisoning. Which is not really an argument in favor of food poisoning.

She goes on to argue for the efficacy of the DMCA, using the example of Apple’s FairPlay technology (which is used by the iTunes music store):

But … are they [Apple] going to be able to get music developers to the table to negotiate with them to help create this library [of music] if they can’t make some reasonable assurances that that content isn’t going to show up free everywhere else?

Never mind that all of the songs Apple sells are available for free on P2P networks, despite FairPlay and the DMCA. Never mind that FairPlay has a huge and widely known hole – the ability to burn songs to an unprotected CD – which Apple created deliberately.

It’s understandable that DMCA advocates don’t want to give a realistic, straightforward explanation of exactly why the DMCA is needed. If they tried to do so, it would become clear that the DMCA, as written, is poorly suited for their purpose. Instead, we get strawmen and arguments from counterfactual assumptions.

I’ll close with a quote from Emery Simon of the Business Software Alliance, another speaker on the same panel, making a claim so far off-base that I won’t even bother to rebut it:

[If not] for copy protection technologies, whether it’s Macrovision or CSS or Fairplay, my VCR and my television set would be devices no more useful to me than my car without gasoline.

U.S. Copyright May Get Harsher and Broader

Rep. Lamar Smith is preparing to introduce a bill in Congress that would increase penalties for copyright infringement and broaden the scope of the DMCA and other copyright laws, according to a news.com story. (The story seems to get some details of the bill wrong, so be sure to look at the bill itself before drawing conclusions.)

The bill would increase penalties for small-scale, noncommercial copyright infringement beyond even their current excessive levels. For example, noncommercial distribution of copyrighted material worth $2500 or more would carry a maximum sentence of ten years in Federal prison. Even attempting to commit that level of infringment would potentially carry a ten-year sentence. That’s the same maximum sentenced faced by bribe-taking Congressman Duke Cunningham, whose corruption probably cost taxpayers millions of dollars. It’s also more than the average Federal sentence for manslaughter (33 months), sexual abuse (73 months), arson (87 months), fraud (14 months), embezzlement (7 months), bribery (10 months), or racketeering/extortion (72 months).

The bill would also expand the scope of copyright in several respects. Most interesting to readers here is an expansion of the DMCA’s anticircumvention rules.

Recall that Section 1201 of the DMCA bans circumvention of technical protection mechanisms (TPMs), and also bans trafficking in circumvention devices. The Smith bill would expand the trafficking ban, by redefining “trafficking” as follows:

[T]he term ‘traffic in’ means to transport, transfer, or otherwise dispose of, to another, or to make, import, export, obtain control of, or possess, with intent to so transport, transfer, or dispose of.

In short, where the law now bans distribution of a circumvention device, the bill would also ban possession of a circumvention device with intent to distribute it.

This bill, if passed, would probably increase the DMCA’s chilling effect on research. Currently, a researcher can steer clear of the trafficking provision by keeping any circumvention devices to himself, using those devices himself (lawfully) in the lab. If the Smith bill passes, the researcher would have to worry that a plaintiff or prosecutor will misjudge his intent and bring a case, and that a judge or jury might be convinced that the researcher was eventually planning to distribute the device. Even if the claim of bad intent is baseless, refuting it will be slow, painful, and expensive.

I’m eager to hear the rationale for these expansions. But I wouldn’t be surprised if no rationale is offered, beyond the standard “piracy is bad” mantra or vague claims to be “rationalizing” the statute.

Princeton-Microsoft Intellectual Property Conference

Please join us for the 2006 Princeton University – Microsoft Intellectual Property Conference, Creativity & I.P. Law: How Intellectual Property Fosters or Hinders Creative Work, May 18-19 at Princeton University. This public conference will explore a number of strategies for dealing with IP issues facing creative workers in the fields of information technology, biotechnology, the arts, and archiving/humanities.

The conference is co-sponsored by the Center for Arts and Cultural Policy Studies, the Program in Law and Public Affairs, and the Center for Information Technology Policy at the Woodrow Wilson School of Public and International Affairs and funded by the Microsoft Corporation, with additional support from the Rockefeller Foundation.

The conference features keynote addresses from Lawrence Lessig, Professor of Law at Stanford Law School, and Raymond Gilmartin, former CEO of Merck, Inc. A plenary address will be delivered by Sérgio Sá Leitão, Secretary for Cultural Policies at the Ministry of Culture, Brazil.

Six panels, bringing together experts from various disciplines and sectors, will examine the following topics:

  • Organizing the public interest
  • The construction of authorship
  • Patents and creativity
  • Tacit knowledge and the pragmatics of creative work: can IP law keep up?
  • Compulsory licensing: a solution to multiple-rights-induced gridlock?
  • New models of innovation: blurring boundaries and balancing conflicting norms

We expect the conference to generate a number of significant research initiatives designed to collect and analyze empirical data on the relationship between intellectual property regimes and the practices of creative workers.

Registration for the conference is strongly encouraged as space is limited for some events. For additional information and to register, please visit the conference web site. Online registration will be available beginning Friday, April 14.

We hope to see you in May.

Stanley N. Katz, Director, Center for Arts and Cultural Policy Studies
Paul J. DiMaggio, Research Director, Center for Arts and Cultural Policy Studies
Edward W. Felten, Director, Center for Information Technology Policy

The French DRM Law, and the Right to Interoperate

Thanks to Bernard Lang for yesterday’s discussion of the proposed French DRM law. The proposed law has been widely criticized in the U.S. press. Assuming Dr. Lang’s translation is correct, this criticism is mostly (but not entirely) off the mark.

Apple’s iTunes and iPod are good examples of the type of product that would be affected. Critics of the proposed law claim that (a) the proposal would increase infringement on record company copyrights, and (b) the proposal would strip Apple of its intellectual property.

The first claim is easily disposed of. iTunes songs are easily copied – everybody knows that iTunes lets you copy songs to unprotected CDs. And more to the point, record companies already sell all of their music in an unprotected format – the compact disc – which accounts for the vast majority of music sales. These songs are all on the P2P networks already, and any small difference in the difficulty of copying iTunes songs isn’t going to change that.

The second claim is the more interesting one. Some critics of the proposal claim that it would force Apple to publish the source code for iTunes. I don’t see that requirement in the proposed text. All the text requires is that Apple release enough information for other companies to make products that interoperate with iTunes. Apple can do this without publishing its source code. Apple can document the file format in which iTunes songs are stored, or it can create an interface that other DRM programs can invoke if they want to work with iTunes, or it can find another way to enable interoperation.

The key issue is whether third-party products can interoperate with iTunes. As Bernard Lang argued yesterday, current law does not give Apple the exclusive right to interoperate with Apple products. To change this, by creating such an exclusive right, would be a big change in public policy – one the proposed law would avoid, with its pro-interoperation provisions.

Interoperation was also a big theme in the important new DMCA white paper issued last week by the Cato Institute (and written by Tim Lee). Cato argues that the DMCA anticircumvention provisions have given incumbent companies an effective right to veto the development of interoperable products, and have thereby blocked innovation. France, wisely, wants to avoid this problem.

(Some commentators have argued that granting an exclusive right to interoperate can be efficient in some circumstances. Even if they’re right, it seems like bad policy to grant that right so indirectly, or to condition it on the presence of copyrighted content or on the use of certain kinds of access control technologies.)

But this is where the French proposal overreaches. Rather than simply protecting the ability of other companies to interoperate with iTunes, by keeping their path free of legal barriers, the proposal would require Apple to take affirmative steps to help rivals interoperate.

Imposing that obligation on Apple is not necessary, in my view. iTunes is not very complicated, so others should be able to figure out how to interoperate, for example by reverse engineering iTunes, as long as the law clearly allows them to do so. The disclosure obligation, though less onerous than critics say, won’t provide much extra benefit, so it’s not worth imposing its cost on Apple and others.

The best policy is for government to stay out DRM decisionmaking altogether. Let companies like Apple develop DRM schemes. Let others interoperate with those schemes, if they can figure out how. Ensure competition, and let the market decide which products will succeed, and which DRM schemes are viable. This is the essence of the Cato report, and of the USACM DRM principles. It’s my view, too.