November 24, 2024

NYT Article on Fritz's Hit List

Today’s New York Times has an article (on page 3 of the Business section), by David F. Gallagher, about Fritz’s Hit List. I love the title: “Robotic Dogs and Singing Fish in Cross Hairs.”

The article includes the first on-the-record response I’ve seen from Sen. Hollings’ office:

Andy Davis, a spokesman for Mr. Hollings, said the technology-minded critics of the bill were “missing the thrust of the senator’s argument,” which is that there is need for more protection of copyright works if online content and broadband Internet access are to flourish. Besides, Mr. Davis said, many details of the legislation remain to be worked out.

Fritz's Hit List #21

Today on Fritz’s Hit List: digital sewing machines.

These machines replay digitally prerecorded stitch sequences to make complex pictures and patterns, so they qualify for regulation as “digital media devices” under the Hollings CBDTPA. If the CBDTPA passes, any newly manufactured digital sewing machines will have to incorporate government-approved copy restriction technology.

Fight piracy – regulate sewing machines!

[Thanks to Rich Brown for suggesting this item.]

Paper on Copy-Protected CDs

Alex Halderman, a senior here at Princeton, has written a very interesting paper entitled “Evaluating New Copy-Prevention Techniques for Audio CDs.” Here is the paper’s abstract:

Several major record labels are adopting a new family of copy-prevention techniques intended to limit “casual” copying by compact disc owners using their personal computers. These employ deliberate data errors introduced into discs during manufacturing to cause incompatibility with PCs without affecting ordinary CD players. We examine three such recordings: A Tribute to Jim Reeves by Charley Pride, A New Day Has Come by Celine Dion, and More Music from The Fast and the Furious by various artists. In tests with different CD-ROM drives, operating systems, and playback software, we find these discs are unreadable in most widely-used applications today. We analyze the specific technical differences between the modified recordings and standard audio CDs, and we consider repairs to hardware and software that would restore compatibility. We conclude that these schemes are harmful to legitimate CD owners and will not reduce illegal copying in the long term, so the music industry should reconsider their deployment.

The paper will appear in the proceedings of the ACM’s DRM Workshop. It’s currently available, but only in PostScript format, on the Workshop’s site. (It’s available in PDF format here.)

It’s rare to see a workshop like this accept a single-author paper written by an undergraduate; but this paper is really good. (Grad schools: you want this guy!)

More on the Almost-General-Purpose Language

Seth Finkelstein and Eric Albert criticize my claim that the fallacy of the almost-general-purpose computer can best be illustrated by analogy to an almost-general-purpose spoken language. They make some good points, but I think my original conclusion is still sound.

Seth argues that speech (or a program) can be regulated by making it extremely difficult to express, even if it isn’t strictly impossible to say. I’m skeptical of this claim for human languages, since it seems to me that no usable language can hope to prevent people from creating new words and then teaching others what they mean. I think my skepticism is even more valid for computer languages. If a computer language makes something difficult but not impossible, then some programmer will create a library that provides the difficult functionality in more convenient form. This is the computer equivalent of creating a new word and defining it for others.

Eric argues that advancing technology might make it possible to restrict what people can say online. I’m skeptical, but he may be right that restrictions on, say, porn may become more accurately enforceable over time. Still, my point was not that mega-censorship is impossible, but that mega-censorship necessarily causes huge collateral damage.

There’s another obvious reason to like the 1984 analogy: using it puts the anti-computer forces into the shoes of the 1984 government. (I don’t think they’ll spend a lot of time comparing and contrasting themselves with the 1984 government.)

You may say that this is cheap rhetorical trick, but I disagree. I believe that code is speech, and I believe that its status as speech is not just a legal technicality but a deep truth about the social value of code. What the code-regulators want is not so different from what the speech-regulators of 1984 wanted.

Fritz's Hit List #20

Today on Fritz’s Hit List: audio key chains (like this one).

These key chains play a prerecorded audio track, which presumably is stored in digital form, so they qualify for regulation as “digital media devices” under the Hollings CBDTPA. If the CBDTPA passes, any newly manufactured audio key chains will have to incorporate government-approved copy restriction technology.

Fight piracy – regulate key chains!

[Thanks to Mark Gilb for suggesting this item.]